Top-10 albums of 2014 (part.1)

It's that time of the year again.. time to list my PERSONAL top-10 albums of the year. These are all albums that have had an impact on me as a music listener, a fan and as a musician. Once again I will release the list in two parts. I will exclude re-releases, re-masters, live sets, compilations etc..and focus only on new material released within this year. So, without further ado...Lets begin!


#10 Talons - New Topographics 

Talons was a new find for me this year. They're an UK-based instrumental post-rock/post-metal outfit who've been around since 2008. New Topographics is their third full-lenght album. It uses a lot of experimentation with chilling strings and noisy guitars. All the songs stand out from the mass of post-rock material released these days with their brilliant compositions. A lot of the timbre's bring Godspeed You! Black Emperor to my mind with a little bit more of pop-like parts thrown in the mix, yet keeping the songs diverse and emotional. 


Favourite track(s): Monuments, The Wild Places






#9 Pianos Become The Teeth - Keep You

Yet another band I found just this year, Pianos Become The Teeth is one of the bands from "the wave" of screamo/post-hardcore bands of the 2000's and 2010's along with bands like Touché Amoré and La Dispute. I came across their earlier material and noticed that their new album "Keep You" was being released this fall. I got myself familiar with PBTT's older material just in time for the new album to drop out and I got to say, at first I didn't enjoy it a lot. But Keep You kept growing on me during the following weeks. I guess that's what this kind of music a lot of times does with me. Keep You is filled with emotional lyricism and features a lot more softer side of the band than their earlier material. Sticking only with clean vocals was a bold but awesome move from PBTT. 

If you are a fan of emo and/or post-hardcore, then give this album a listen and let it grow on you. 

Favourite track(s): Lesions, Repine, Late Lives, Enamor Me







#8 DJ Kridlokk - Mutsi 

Ah..The first rap album of the list. The Finnish Dj Kridlokk is a rap artist/producer who's part of the KC/MD Mafia and is infamous for his Finnish Memphis sound. Mutsi is Kridlokk's follow-up to his album UG-Solo which was released in 2011. The album has a really grim sound and lyrics that are both critical and badass. Kridlokk rhymes about real life and how he's fed up with the world. But to me, the album is more about the sound, feel and atmosphere than taking the lyrics seriously. The two feature's of the album are by Kridlokk's colleagues Tuuttimörkö and Eevil Stöö and they both perform their verses just right. 

Favourite track(s): Lokin Ipsum, IDKFA, Stö & Lok 







#7 La Dispute - Rooms Of The House

I had great expectations for the new La Dispute album after their masterpiece Wildlife from 2011 which in my books is a solid 10/10 album. Rooms Of The House continues fluently with just about the same style as Wildlife. Sounds are just as raw and the lyrical themes are just as depressing as they were last time. Once again I had to listen to "Rooms" a little more than a few times to fully understand it's grace and all the emotions it emits. 

Once again the band utilises bits and sounds outside their live band with the inclusion of for example the glockenspiel. But I love how all their songs are played just as they are live - raw and hard-hitting. The guitar sounds are full of vibes which just give me the chills every time they hit a chord. Vocalist Jordan Dreyer's vocal performance is  heartbreaking and the emotions he is capable of producing with his voice are amazing. 

Favourite track(s): Hudsonville MI, 1956; 35; Scenes from highways 1981/2009

#6 Swans - To Be Kind

When this monster of an album hit everybody in the face in the alternative music scene I was really ignorant and left it without a listen (except for the song Oxygen which was released as a single before the album) until well into the fall. Upon revisiting To Be Kind I was really surprised when I found out how elaborate and powerful it was. I guess I just wasn't ready to listen to it when it released. I just had to have a right state of mind to sit through this 2 hour greatness. To Be Kind feels like such a flowing album that the time just flies by and it feels amazing.

I am in no position to compare To Be Kind to Swans' earlier material as I have almost no experience of their albums before it (apart from a couple of listens of The Seer). I guess I'm fairly new to experimental music in a scale of this big. In To Be Kind I fell in love with the atmospheric building structures and the contrast of delicate timbres of clean guitars painting the soundscape to the crushing aggressive pounding of the bass and drums accompanied by Mr. Gira's menacing vocals.

Swans uses their instruments extremely diversely and create sounds out of this world. Every song on the double LP is a journey through the bands collective mind which seems to write every bit out amazingly naturally. Even though a lot the time the songs are very static the little nuances of for example sudden guitar harmonies or vocals that surprise the listener keep the journey interesting throughout the album. Not a single song feels too repetitive or too long (even though there are a lot of songs that surpass the lengths of typical rock songs). 

I can see To Be Kind being the "Skinny Fists" of the 2010's in the future being an experimental masterpiece and I can already see it getting a same kind of recognition throughout fans of alternative music listeners. 

Favourite track(s): Just A Little Boy (For Chester Burnett), Bring The Sun/Toussaint L'Ouverture, 





This concludes the first 5 of my top-10 albums of 2014. I will finish the list during these few days (within a week at most). 

Leave a comment if you agree with me on the list or have your own favourites.


Peace and LOVE
- Matti

Summer sounds lovely - let it rain

I've been busy and not-so-busy this summer with a lot of stuff (mainly my graduation, music festivals, my band and my civil service [equivalent to military service only non-military]). New bands have found their way into my library of music but I've also re-discovered some older material that has been totally forgotten (i.e found a copy of Brave Murder Day by Katatonia in a second hand music store last week). 

Lately I've also had a look towards Finnish rap artists like DJ Kridlokk, Eevil Stöö, Tuuttimörkö and such. 

Anyway, the main point for this update was to talk about Ilosaarirock music festival which is held in july every year in my hometown of Joensuu. For me it's the best festival Finland has for many reasons. First of all the festival area is beautiful, large and versatile (suiting a music festival perfectly). I have lots of memories regarding Ilosaarirock (for example the best show I've ever been to was ISIS at Ilosaarirock in 2009). The line-up is always great and variant with artists from different genres like hardcore, electronic, rock, metal, pop etc...you name it. 

This year was yet again a great one for Ilosaarirock as the line-up had some bands I was really anticipating for some of the bands. The memorable artists/bands this year were definitely Gracias & The Globe Band (hip-hop), OJJ (electronic), KC/MD Mafia (hip-hop), Oranssi Pazuzu (psychedelic black-metal), Night Lives (hardcore), Haim (indie rock), Opeth (progressive rock/metal) and last but not least Portishead!!

The highlights of the festival were definitely Opeth and Portishead. They both played an extremely pleasant show and I thoroughly enjoyed both of them. Opeth played some older material (early 2000's Deliverance/Damnation era) as well as newer stuff (mainly from Heritage and Watershed). Mikael was funny as always and his growls seemed fine to me. I don't really get the hate from fans towards his growling vocals (I mean c'mon the man is over 40 already with over 20 years of touring and playing in several bands and growling his lungs out like a beast for so long). 

Portishead was beyond magical and huge. They played songs from all of their albums and the total playtime for the show was over one and a half hours. They didn't speak anything in between the songs until a few thank-you's after the show. The visuals they had were very fitting to the songs with some psychedelic vibes and moody photography. 

All in all once again I had a great time in Ilosaarirock this year (also this is a bit late as it was a month ago but I've been busy so that's a valid excuse). 

Next time I will write about one of my favourite albums of all time and a re-mastered version that was released this year. 

Peace and Love
- Matti

Indie Shout Out vol.2

Toinen loistava löytö tänä syksynä oli suomalainen yhdenmiehen bändi/projekti Stars As Lights, jonka uusin julkaisu As If Time Had Stopped on huikea kymmenen kappaleen post-rock teos, jossa jokainen kappale kertoo oman tarinansa.

Stars As Lights on jyväskyläläisen Lauri Paavolaisen sooloprojekti. As If Time Had Stopped on kaikkine post-rock -kliseineenkin juuri täydellinen taidepläjäys minunlaiselleni musiikin ystävälle. Albumi erottuukin joukosta edukseen juuri sävellyksen ja tuotannon puolesta. Koko albumi on rauhoittavan kaunista kuunneltavaa alusta loppuun eikä yksikään kappale kuulosta samalta. Albumin kokonaisuus tuo mieleen Explosions In The Skyn alkutuotannon.

As If Time Had Stopped kuuluu ehdottomasti tämän vuoden parhaimpien post-rockjulkaisujen joukkoon Sigur Rósin ja God Is An Astronautin uusimpien albumien rinnalle.

--

Another great discovery from this fall was the Finnish one-man-band/project Stars As Lights whose newest release As It Time Had Stopped is an immense ten track post-rock work in which every track tells its own story.

Stars As Lights is the solo project of Lauri Paavolainen from Jyväskylä, Finland. As If Time Had Stopped is just the perfect piece of art for a music lover like myself even with all its post-rock cliches. The album sticks out from the crowd with its amazing compositions and production quality. The whole album is restfully beautiful from the beginning all the way until the end and none of the songs sound too much alike. The album as a whole brings to my mind the earlier works of Explosions In The Sky. 

As If Time Had Stopped belongs easily to the top post-rock albums of the year alongside the new albums by Sigur Rós and God Is An Astronaut. 

--

Also the artwork is absolutely amazing! :)

- Peace And ΓΟΛΕ - 
Matti

Indie Shout Out Vol.3

Tamperelainen Consciousness Removal Project (lyhyesti CRP) on soinut jo useamman vuoden iPodissani enkä vieläkään ole kyllästynyt Antti Loposen projektityylisen bändin tuotoksiin tippaakaan. CRP luo uskomattomia tunneilmauksia äärimmäisen taitavasti tuotetuilla albumeillaan (joita bändin katalogista löytyy jo 5 ja lisäksi aikaisempia albumeille päätymättömiä yksittäisiä kappaleita). Uusin albumi Tacit julkaistiin tämän vuoden alussa. Itselle tämä albumi on alkanut aueta vasta viime viikkoina (sen jälkeen kun luin albumin tarinan CRP:n sivuilta (http://consciousnessremovalproject.com/)).

Tacit tuo projektin post-metal-tyyliin uusia kokeilullisia piirteitä elektronisesta, ambientista ja jopa dronesta. Jokainen kappale tuo jotain uutta mukaan ja albumin kohokohta Colossus III: Deadlock luo käännekohdan, jonka jälkeen loput kappaleet käyvät läpi kauniita tunnemaailmoja. Koko albumi loppuu yli kymmenminuuttiseen progressiiviseen ambientvaikutteiseen kappaleeseen The Unknown Known, joka huipentuu post-metalriffittelyyn ja albumin ainoaan vokaaleja sisältävään motiiviin.

Myös CRP:n aiemmat albumit The Last Season, Do You Ever Think It's The End Of The World, 852 ja bändin nimikkoalbumi tuovat levy levyltä jotain uutta CRP:n tyyliin syvällisillä konsepteilla ja äänimaailmoja laajentamalla. Joka levyltä löytyy vierailevia muusikoita, jotka rikastavat albumien musikaalisuutta.

Arvostan Consciousness Removal Projectin etumiestä Antti Loposta sekä säveltäjänä, että taiteilijana ja odotan innolla projectin seuraavaa albumia, joka lienee odotettavissa ensi vuoden puolella.

--

Tampere based Consciousness Removal Project (CRP for shortened) has blasted in my iPod for several years already and I have yet to be bored by a single piece of art by this project-like band of Antti Loponen. CRP creates unbelievable expressions of emotions accompanied with skillful productions on their albums (which the band has already 5 in their catalog plus earlier songs that have not been released on albums). Their newest album Tacit was released in early 2013. For me personally the album has opened its true meaning only during these few weeks (after I read the story behind the album at their website (http://consciousnessremovalproject.com/)).

Tacit brings new experimental traits from electro, ambient and even drone to the projects post-metal style. Every single track adds something new to the mix and the highlight of the album Colossus III: Deadlock marks a turning point after which the rest of the songs undergo beautiful worlds of sensation. The whole album ends with a ten minute progressive ambient-influenced track called The Unknown Known which culminates to slow post-metal riffs and the albums only part with vocals.

Consciousness Removal Project's earlier albums The Last Season, Do You Ever Think It's The End Of The World, 852 and their self-titled album add something new to their style album by album with deep concepts and expanding soundscapes. Every album has quest musicians who enrich the musical traits of the albums.

I respect the frontman Antti Loponen of Consciousness Removal Project both as a composer/songwriter and a respectful artist and I'm eagerly waiting for their next album which can be expected to be released sometime during next year.

 

Cheers to CRP and everyone who respects them as much as I do

- Matti

Come On Die Young

"Of all I knew,
I held too few
And would you stop me,
if I tried to stop you?

Old songs, stay till the end
Sad songs, remind me of friends
And the way it is, I could leave it all
And I ask myself, would you care at all?

When I drive alone at night, I see the steetlights as fairgrounds
And I've tried a hundred times, to see the roadsings as day-glo

Old songs, stay till the end
Sad songs, remind me of friends
And the way it is, I could leave it all
And I ask myself, would you care at all?"

Mogwai - Cody

--

The saddest song I know, Cody had an instant effect on me when I first heard it when I was like 14 or 15.
The line "Old songs, stay till the end, Sad songs, remind me of friends" stuck in my head for eternity and even today is one of the most inspirational piece of lyrics I've ever stumbled upon. 

Catch of the year - Vuoden löytö

Tämän syksyn uskomattomin musiikkilöytö minulle oli jyväskyläläinen ∞ (lausutaan eight), joka yhdistelee post-rockin maalailevaa puhtautta ja post-hardcoren aggressiivisuutta - ja vielä suomeksi laulettuna! Bändin noin vuosi sitten julkaistu albumi Näyt Kauas on ladattavissa bandcampista (http://eightband.bandcamp.com/). Myös bändin aiempaa tuotantoa löytyy samalta sivulta.

Näyt Kauas on sekä musiikillisesti, että lyriikallisesti kaunista kuunneltavaa. Erityisesti minuun kolahti kappale Elä Sinä Minusta, joka alkaa hiljaisella introlla ja kasvaa seuraavaan kappaleeseen johdattavaan loppuun.

Elä sinä minusta 

huoli talven synnystä 

tampereen kohdalla. 

Riitteen muutosta järveen 

ovatko kaikki 

ennättäneet jo etelään 

Albumin toinen kappale Hetki Jolloin Emme Tienneet Mitään Toisistamme on selvästi post-metal -vaikutteinen ja jaksaa viihdyttää kuulijaa koko seitsemän minuutin keston.

Bändin lyriikat ovat ovelia ja saavat ajattelemaan niiden oikeata tarkoitusperää. Omien tulkintojeni mukaan lyriikoiden keskeisimpiin teemoihin kuuluu yksinäisyyden kuvaus. 

Odotan innolla mitä ∞ saa aikaan tulevaisuudessa ja suosittelen kaikille pienempienkin bändien tukemista. 

--

My most unbelievable new discovery this fall was a band from Jyväskylä, Finland called ∞ (pronounced eight) which combines artistic purity of post-rock with the aggressive motion of post-hardcore - and they sing in finnish! Their album Näyt Kauas which was released a little over a year ago is available for download at bandcamp (http://eightband.bandcamp.com/). Their older works are also available on the site.  

Näyt Kauas (Finnish for You Appear Afar) is both musically and lyrically beautiful to listen to. Especially the track Elä Sinä Minusta (I wont be translating the names or the lyrics because they can have many meanings and i don't want to upset the band for translating their visions wrong) affected me greatly. The track begins with a quiet intro and builds up into an end which leads to the next track. 

lyrics for Elä Sinä Minusta: 

Elä sinä minusta 

huoli talven synnystä 

tampereen kohdalla. 

Riitteen muutosta järveen 

ovatko kaikki 

ennättäneet jo etelään 

The second track of the album Hetki Jolloin Emme Tienneet Mitään Toisistamme is obviously influenced by post-metal and it keeps the listener entertained for the whole duration of seven minutes. 

Eight's lyrics are genius and make the listener ponder about their real meaning. According to my own interpretation one of the biggest themes of the lyrics is solitude. 

I am eagerly waiting what ∞ does in the future and I deeply recommend everyone to support smaller bands.

--

Peace and ΓΟΛΕ

 -Matti

Comforting Sounds

Eka postaus! Pari päivää oon hiljaa mielessäni miettinyt musablogin aloitusta ja päätin kokeilla. En aio pitää minkäänlaista postausrytmiä, vaan postailen millon huvittaa. Ideoita postauksiin riittää aina top-10 listoista musiikilliseen fiilistelyyn, oman musiikkihistoriani valaisemiseen ja paljon muuta. En oikeastaan itse edes lue muita blogeja, joten tämä on siinäkin mielessä uusi kokemus.

Oma musamakuni ylittää kaikki genrerajat ja pyrin olemaan avoin kaikentyyliselle musiikille aina klassisesta nykymetalliin. Mitään tarkkaa lempibändi-listaa en aio tehdä, mutta muutamia eniten mun elämään vaikuttaneita yhtyeitä on Explosions In The Sky, ISIS, Mogwai, Opeth, Katatonia ja vaikkapa Devin Townsend (aika synkänpuoleiselta vaikuttaa EITS:iä ja Deviniä lukuunottamatta - pitäiskö olla huolissaan).

Mut joo - voisin kertoa hieman itsestäni; olen Joensuulainen 18 v. poika, joka ei voisi elää ilman musiikkia. Soitan kitaraa, laulan, sävellän ja ennenkaikkea kulutan musiikkia sekä kerään levyjä. Kitaraa olen soittanut ehkä nelisen vuotta ja biisejä oon vääntäny yhtä kauan. Oman sooloprojektini demo on ladattavissa ilmaiseksi bandcampista (http://untoldmemories.bandcamp.com). Demon julkaisin joulukuussa 2012 eräänlaisena joululahjana tyttöystävälleni (mut joo, ehkä jauhan Untold Memoriesista jossain toisessa postauksessa).

 Yup, That's me.

 Last.fm:ssä voit seurata minua http://www.last.fm/user/Masavain täältä ja kaveriksikin saa pyytää.

--

First post! I've been thinking of starting a music blog for a few days and now I decided to give it a try. I won't be posting regularly - only when I want to. I have a lot of ideas for future posts like top-10 lists, musical hyping, enlightening my personal history on music and many more. I hardly ever even read other blogs so this will be a new experience in that light also.

My musical taste extends over genre limits and I try to as open as possible for all genres of music ranging from classical to modern metal. I won't be doing a favouritebands -list but some of the bands that have had a significant effect on my life are Explosions In The Sky, ISIS, Mogwai, Opeth, Katatonia and Devin Townsend (quite melancholic except for EITS and Devin - Should I be concerned).

But oh well - I could tell you a little about myself: I am an 18 y.o boy from Joensuu, Finland and I couldn't live without music. I play guitar, sing, compose and above all consume music and collect albums. I've been playing the guitar roughly for 4 years and making songs as long. My personal soloproject's demo is available for a free download in bandcamp (http://untoldmemories.bandcamp.com/). I released the demo in December 2012 as a christmas gift for my fiance (but anyhow, maybe I will ramble about Untold Memories in other posts).

You can follow me in Last.fm at http://www.last.fm/user/Masavain and i will accept friend requests too.

Peace and ΓΟΛΕ

 -Matti