perjantai 15. elokuuta 2014

Panopticon - A Throwback To A Greater Time

It's time to talk about my all time favourite album: Panopticon by ISIS. Ipecac Records put out a remaster to celebrate Panopticon's 10th anniversary earlier this year and I've been going back to that numerous times during the summer. To me the remaster wasn't such an improvement over the original as I thought it would be (considering the Celestial remaster a few years back from ISIS) but of course I enjoyed the album as much as the good old Panopticon from 2004. All the changes I noticed after a good amount of listened between the two versions was that the synths seemed to be clearer and more upfront in the remaster and some of the vocals seemed to be pushed down a bit. 

Anyway, I was here to talk about my opinions on the album itself. First of all I have to tell, the artwork of the album is absolutely and completely amazing and fits the themes of the album perfectly. Whenever I listen to the album all I can think of are industrial settings and blue (I wonder why??).

Panopticon starts out with So Did We, which I consider the epitome of ISIS to me. The structure of the song is beautiful. The creeping guitar sounds and tight drums accompany each other amazingly and the eerie but still aggressive vocals are nicely blended to not be the lead "instrument" of the composition. The so-called breakdown of the song where the harsh riffing cuts down and the clean guitar melodies paint a gorgeous landscape only to progress into the last crushing riff of the song which always send chills down my spine. At the end of the song I feel somehow pumped up for the rest of the album which I know is going to be as amazing as this was.

Backlit starts out a lot friendlier and progresses through the song with both quiet and loud points to a groovy break with and awesome baseline. The song also ends with a bang. Aaron Turners vocal performance is shining in Backlit as he changes back and forth with clean and harsh vocals. At this point I also have to mention the raw-like drum sounds which play a huge role in the album's grooviness. 

Next comes In Fiction which is one of the bands most notable songs with a great music video. The song's structure is a basic post-rocky post-metal song structure which starts out quiet and continues to grow until a breakdown which brings the song to ground level once again. I have to mention the moment when the drums shift to a hit on the snare rather than a sidestick is a great point in the song. The breakdown isn't the end of the song though as it teases you by raising the momentum bits at a time only to grow to a crushing guitar riff. The song ends by going back to it's opening motions, the clean melody.

The next song, Wills Dissolve is the shortest song in the album and it starts with an eerie clean motion followed by a groovy drum beat. The same theme continues with a distorted guitar and more heavy drumming. The vocals hit the song just barely after the four minute mark with a raspy clean melody. The rest of the song progresses to a heavy ending which crushes even harder than the earlier songs. 

Wills Dissolve ties well with the next song Syndic Calls which continues straight from where it was left. The guitar groove in the beginning has stuck in my mind since the first listens. The crescendo towards the end of the song is what post-metal is to me, distorted sound which somewhat still sounds like the most beautiful thing in the world. 

The opening riff of Altered Course shows how a good groove can be made with just a guitar and the drums. After the bass hits the song it becomes even more groovy. The song makes me nod every time I listen to it. Altered Course feels a lot more philosophical (if you can say that of an instrumental song) than the other songs. The melodies and the construction seem thought provoking and interesting. 

The ending track Grinning Mouths sums up all the feels of the album; the sadness, the energy and all the blue colour in the world. The song starts with a very creepy guitar melody.  When the heavy hits of crushing guitars and toms hit the scene only to carry the song on to the next section which - to everybody's surprise - isn't a crushing riff but a continuation of the creepy sound. Only after a brief break is the song lifted up and up to the heights of the sky. The tremolo melody leads the song to the heavy riffage and harsh vocals. After that comes the moment which is a very non-ISIS-like move; a sudden break to a strumming chord. The next riff is probably one of my favourites from the whole album accompanied by a perfect distorted melody. The same motif continues through the rest of the song which ends to a bang. 

That concludes my thoughts on Panopticon, an album so meaningful to me. I remember the day my brother introduced the album to me. The same day (or a couple days later) I just had to buy the CD and listen to it many times through. I can't wait to find an album to top Panopticon, though it seems highly improbable.


 

-Matti

perjantai 8. elokuuta 2014

Summer sounds lovely - let it rain

I've been busy and not-so-busy this summer with a lot of stuff (mainly my graduation, music festivals, my band and my civil service [equivalent to military service only non-military]). New bands have found their way into my library of music but I've also re-discovered some older material that has been totally forgotten (i.e found a copy of Brave Murder Day by Katatonia in a second hand music store last week). 

Lately I've also had a look towards Finnish rap artists like DJ Kridlokk, Eevil Stöö, Tuuttimörkö and such. 

Anyway, the main point for this update was to talk about Ilosaarirock music festival which is held in july every year in my hometown of Joensuu. For me it's the best festival Finland has for many reasons. First of all the festival area is beautiful, large and versatile (suiting a music festival perfectly). I have lots of memories regarding Ilosaarirock (for example the best show I've ever been to was ISIS at Ilosaarirock in 2009). The line-up is always great and variant with artists from different genres like hardcore, electronic, rock, metal, pop etc...you name it. 

This year was yet again a great one for Ilosaarirock as the line-up had some bands I was really anticipating for some of the bands. The memorable artists/bands this year were definitely Gracias & The Globe Band (hip-hop), OJJ (electronic), KC/MD Mafia (hip-hop), Oranssi Pazuzu (psychedelic black-metal), Night Lives (hardcore), Haim (indie rock), Opeth (progressive rock/metal) and last but not least Portishead!!

The highlights of the festival were definitely Opeth and Portishead. They both played an extremely pleasant show and I thoroughly enjoyed both of them. Opeth played some older material (early 2000's Deliverance/Damnation era) as well as newer stuff (mainly from Heritage and Watershed). Mikael was funny as always and his growls seemed fine to me. I don't really get the hate from fans towards his growling vocals (I mean c'mon the man is over 40 already with over 20 years of touring and playing in several bands and growling his lungs out like a beast for so long). 

Portishead was beyond magical and huge. They played songs from all of their albums and the total playtime for the show was over one and a half hours. They didn't speak anything in between the songs until a few thank-you's after the show. The visuals they had were very fitting to the songs with some psychedelic vibes and moody photography. 

All in all once again I had a great time in Ilosaarirock this year (also this is a bit late as it was a month ago but I've been busy so that's a valid excuse). 

Next time I will write about one of my favourite albums of all time and a re-mastered version that was released this year. 

Peace and Love
- Matti